I am a bit of a film buff. Part of the reason for that is that film is so influential in our culture in shaping worldviews. As such, I like to view films to see what exact paganism is being communicated by writers, directors, and producers in our films.
For quite some time now a large part of my analysis of films is racial. That is I look for what race is being cast into what role and then ask “why was that racial profile cast into that particular role?” When one does that one can often see how routinely white people are being replaced in our myth telling. Also, white people often play the villain or doofus part in Hollywood films with minorities playing the hero roles who stop the bad guy white man. A classic example of this was the remake of the Magnificent 7 which found Denzel Washington playing the chief good guy minority coming to the rescue of a bunch of sheep white townspeople. Denzel Washington, in that film is joined by a bevy of 3 other minorities (A Mexican gunslinger, an Injun outcast, and a Chinaman knife specialist), along with a coward White Southerner (who finally finds his courage at the very end of the film), a White right hand man who is always picking on the Mexican minority gunslinger and a White Mountain man who is clearly portrayed as a Jesus freak who hates injuns.
Recently, a film that did not receive particularly good reviews, seemed to find a anti-Woke, pro White message. That film was “Gladiator 2.” Once again we find Denzel Washington in a key role in the film but this time Washington ends up playing a villain whose death, at the hands of the white hero of the film, ends up re-establishing the heroic White man as the head of a renewed Roman Civilization.
If one interprets “The Gladiator 2” through this racial prism it is not a wonder that it was given such bad ratings. Interpreted via a racial grid the film suggests that while minorities almost overthrow white civilization in the end they fail after white man embraces his heritage identity.
The film gives us a Rome that has white twin brother Emperors who are both obviously effeminate with one obviously sodomite. These twins are destroying white Roman civilization with their perverted excesses. At one point in the film one brother says of the other brother; “the sickness in his loins as gone to his brain.” Clearly, the message of the film to this point is that the white man has lost his way as seen in this perversion and its wicked colonizing of other nations. As the film opens Rome is attacking Numidia. A famous Numidian of the era “Juguruth” has been cast as a black man and the white Romans make the injured “Juguruth” a gladiator and kill him off in a battle in the Coliseum.
The character that Denzel Washington plays connives to murder the twin white effeminate Emperor brothers so that he might become the ruler of all of Rome. Washington’s character’s (Macrinus) murder of the white Roman emperors is particularly vicious and looks a great deal like the violence we see today by blacks against whites.
The Denzel Washington character (Macrinus) is through and through Machiavellian in his rise to power. First Macrinus outwits a stupid White Senator to get into position to get next to the effeminate Emperors and then he outwits the whole white Senate as well as the effeminate Emperors so as to be on the cusp of ruling white Rome.
Much as where the West is now, the white man in the film has become feminized and minorities look to seize the throne from the white man with his effeminate leadership.
However, hope blooms because there remain some white Romans who retain their heritage white identity. The heroes in the film are two white men and a white woman. The son of Maximus (and Grandson of Marcus Aurelius) from the first Gladiator film, (Lucius Verus Aurelius) is a man of integrity and is opposed to both the white effeminate brother Emperors and the black gladiator entrepreneur (Washington’s character) who is seeking to rule Rome. Joining Lucius in the attempt to stop the bad guy Emperors and Macrinus (the Black character) is a Roman General (Acacius) who has done the bidding of the effeminate white brother Emperors in conquering countless nations but has hated them every step of the way for how they have ruined Rome with their sexual perversion and invading of other nations.
These two men are joined by the mother of Lucius Verus Aurelias and wife of Acacius — a white woman with the character name, “Lucilla.” Like every major character in the film she hates the white effeminate Emperor brothers and she plots their overthrow. Lucilla and Acacius end up giving up their lives in order to overthrow the effeminate Emperors in hopes that Lucius will reign because of his royal bloodline. However neither know that Macrinus is about to seize power. It is left to Lucius to defeat the evil bisexual black man (Macrinus) in order for white rule to be maintained over white Rome. In the mano vs. mano final battle Lucius kills Macrinus while all of the white Roman army looks on waiting for who they will follow.
In this film the bisexual black man (Macrinus) is cast as the chief villain who is seeking to kill off white rule so that he can rule over the white empire of Rome. However, the film, while clearly showing how vile and stupid white rule in Rome has become, still suggests that minority rule can be stopped by the rise of two white men and a white woman who still retain their original white Roman heritage identity.
It is not a wonder why the ratings were so low for this film.
